MINUTES OF THE MINEHEAD & EXMOOR
FESTIVAL AGM 2006 SEASON
At
(NOTE: These
minutes have not yet been confirmed as a true and accurate record. This will be done at the AGM in 2008)
PRESENT: Keith Halstead, Ann Green, Robert
Green, David Yates (Chair), Sheena Yates, Keith Jones, Crispin
Hodges, Pam Almond, Robin Hewison, Kate Rosenau, Ann Hankin, Mark
Stuart, Val Stuart, Christine Littlewood, John Littlewood.
APOLOGIES: Bronwen Hodges, Jenny Halstead, Jane Jones.
1.
MATTERS
ARISING: 2 minor typographical errors corrected. (AGM2003 should be AGM2005) and
“from” for “from”.
2.
CHAIRMAN’S REPORT: (Summary: full
copy available)
a. Thanks to all involved in making
a successful Festival, particularly Committee, hosts and sponsors.
b. Contrasting audience comments
about quantity of Mozart cancel each other out.
c. Highlights for him included
Mozart Duo Concertante and in-house Sat. night soloists.
d. The Wed. recital a valuable new tradition and the recent
winter concert by eight players a success not least as publicity. Thanks to
them.
e. We were sorry to hear of Peter Oyston’s death, and
grateful for all he had done to set up and print our literature. We improvised
alternative in-house arrangements and will probably do the same again this
year.
3. TREASURER’S REPORT: (full
report and balance sheet available)
accepted (P. Almond/J.Littlewood)
Issues raised in
discussion:
a.
Ticket
prices: If we are to reflect ARTlife’s
preference for more “enterprise” in the choice of more recent works, a huge
hike in costs will demand an increase at least of 50p per ticket (adult price
from £11 to £11.50). £12 would be less awkward and although a couple’s total for
3 concerts could feel high, there is some evidence that pensioners would not
regard £12 as excessive. Decision rests with the committee.
b.
Possibility of
all ticket sales through Regal. Lewis Lintern to consider.
5. HOSPITALITY:
a. Much last-minute fixing of brass
meant hectic hours immediately before the festival.
b. Cancellation of Tuesday lunch the rational solution to the uncertainty
problem.
c. Orchestra mail shots by e-mail in future….
d. Thanks for duplicating help from Thorne Segar and hope for the same
again.
e.
f.
More hosts needed. Could we have a dedicated appeal insert in
the advance flyers?
Thanks expressed to Ann Green for her efficient work, to Pam
Almond for continuing support, to Toni Thornton for sensitive well-targeted catering
and the
6. PUBLICITY:
a. Willing shopkeepers facilitated
wide-ranging distribution of posters and leaflets.
b. Many organs of publicity already informed.
c. Website in the making: www.mineheadfesitval.com
d. Yarn Market Hotel to offer a themed music
week during this year’s festival.
Thanks
expressed to Keith Halstead for his energetic efforts on our behalf and to
Jenny.
7. ELECTION OF OFFICERS:
a.
All existing committee members were willingly voted
in en bloc by unanimous acclaim: David and Sheena Yates, Robert and Ann Green,
Crispin Hodges, Keith Halstead and Keith Jones.
b. Geoff Dibble willing to be co-opted.
c. Appreciative mention of workers not on committee, particularly Ian
Melhuish and Pam Almond.
8. 2006 FESTIVAL PROGRAMME (review):
a.
“Safe”;
“well-balanced”; “deliberately strong representation of Mozart”
b.
A festival-goer of 42
years’ experience believes the Festival has gone from strength to strength,
“much more professional” now.
9. 2007 (July 22nd- 28th)
FESTIVAL PROGRAMME (preview of Richard’s first suggestions):
MON/TUES: Copland
Appalachian Spring/ Dvorak Romance/ Strauss Metamorphosen
THURS:
SAT: Borodin In the Steppes of central
Castelnuovo
Tedesco Guitar Concerto No. 1 in D major op. 99 / Stravinsky Fairy’s Kiss
(Divertimento) or (Ballet).
Discussion:
a. Ideally there should be a balance in each concert programme: 2 familiar works
flanking a lesser known work.
b. The Mon/Tues could additionally have a familiar string work: Grieg’s
Holberg Suite or a Baroque concerto grosso or Eine Kleine Nachtmusik, for
example.
c. These suggestions are still mainstream and not at all avant-garde.
d. Our audiences, well-understood by Richard, are a mixture of ingénue,
sophisticated, reactionary, strung between Classic FM and Radio 3. “
e. Suggestions for attracting young people might include “Peter and the Wolf
or The Young Person’s Guide.” Would
youngsters respond to the invitation to attend a rehearsal?
f. Might it help “sell” relatively
strange works (e.g. the Sea Interludes) to have some extended comment by
Richard in the advance publicity?
g. Further enterprise might be shown by inclusion of a very short really
recent work (also low on hire charges!)
10. AOB
a. Jonty Hedges (14 yrs old flautist from
2007.
b. Thanks expressed to the Chairman for all he does.
c. Could 2008 Festival be brought forward to include school term and the
opportunity to involve youngsters?